Lanzamiento Media Composer 5, todo un éxito!
Publicado el 7 de Julio
Con éxito se presentó la nueva versión de Avid Media Composer 5, la última de las versiones del sistema de edición líder en el mercado Audiovisual. En esta ocasión y ante más de 250 personas reunidas en el Teatro Circus OK, Imanol Zubizarreta, Avid Senior Specialist, realizó una completa revisión de las principales características de esta nueva versión y que la sitúan como absoluto líder en su rango. Entre estas características se encuentran:
- Directly access and edit RED files through AMA, without transcoding (images are scaled to HD frame size) - Work natively with QuickTime video formats, including Apple ProRes and H.264
- Edit video and audio by dragging and dropping elements in the timeline
- Keep high-end finishing projects in-house and gain great color precision with HD-RGB support (including dual-link I/O support with Nitris DX systems)
- Monitor video externally with support for the Matrox MXO2 Mini
- Mix and match frame sizes and aspect ratios — in addition to formats, frame rates, and resolutions — in the same timelineTake a break during long renders and have your system email you when the job’s done
- Import AVCHD files directly from cameras and other devices
- Capture to and edit XDCAM HD and DVC PRO HD formats from baseband without additional hardware
- Access low-res XDCAM proxies for offline work, with full-quality audio
- Import text-based ancillary data and embed it in the video signal with the new “Data Track” and SMPTE 436M support using Nitris DX- and Mojo DX-based systems
- View stereo audio tracks as single channels in the timeline for easier handling
- Create high-quality sounds and mixes with support for RTAS audio processing plug-ins
- Natively access and edit 4:2:2 MPEG-2 media from the new Canon cameras using AMA
Igualmente, Omar Martínez, Avid Audio Specialist, presentó la consola DCommand trabajando en conjunto con Avid Media Composer v5, mediante Avid Satellite, integrando de manera optima y eficente ambos sistemas, aplicando audio 5.1
